Skip to main content

Pixel vs DPI


A recent discussion about image theft from internet galleries spurred an impromptu lesson in image formatting for the internet. We talked about how to re-size and watermark images to deter illegal use of images. The conversation is worth expanding on and repeating here.

First let's define the two terms in the title; a pixel is a small square of colored light on a digital screen that, when viewed along side thousands of others, creates an image. Pixels are created by LEDs (light emitting diodes) assembled into an array called a screen (monitor, tv, touch screen, etc.)

DPI stands for dots per inch and refers to a small microscopic drop of colored ink deposited onto a substrate (paper, card stock, vinyl, cloth, etc.) through a series of ink jets. These drops are deposited in a prearranged order that, when viewed along side thousands of others, creates an image.

Each pixel or dot refers to a corresponding color captured on your camera's digital sensor, translated into binary code and stored as a digital file. That file is then read by your computer screen, laser printer, inkjet printer or other raster based output device as a photograph. In short, a pixel is an individual point of light on a digital screen while a DPI refers to a point of ink on a printable substrate.

The issue of the discussion was how to determine what size is suitable for a screen but unusable for print. The simple answer is dependent on what is being used to print out the image. There are three common output devices used for images; a computer screen, your home printer and a commercial photo printer. Each of these have their limitations in output. That output is measured in dots per inch or how many dots of color can fit across into an inch of paper.

Your computer screen displays at (typically) 72 dots per inch. Some will display at 96 dpi. The image at right is a one inch square image at 72 dpi. If your screen is rendering at 72 dpi and you take a ruler and measure this image it will be one inch. If your screen is rendering at 96 dpi the image here will measure at .75" across. (Make sure your browser's zoom is reset to the default setting.)

Printers, however, print at a higher resolution than a computer screen. Most home printers will print at 150 dots per inch but can go as high as 300 dpi. Commercial printers will normally print at 300 pdi but can go as high as 1200 dpi or more. So what does this mean for your images processed for video display?

The image at left is designed to display as a 4x6 inch photo on your 72 dpi screen (3x4.5 inches at 96 dpi). To display at that size the digital file needs to be 432 pixels wide and 288 pixels tall.

In order to have the same 4x6 inch image on paper from your home computer the digital file size needs to be 900 pixels wide by 600 pixels tall. That's more than double the size in pixels.

If you want to print that at your local photo kiosk that digital file now needs to be 1800 pixels wide by 1200 pixels tall. Twice over the size of the original file.

Let's reverse that; an image set for screen display at 4x6 (432x288 pixels) will print at a tiny size of 2.88" x 1.92" on your home printer (150 dpi) or the miniscule size of 1.44" x .96" at the kiosk (300 dpi). That last one is about the size of a large postage stamp and is not even a full inch tall.

So if you are formatting your images for your on line portfolio I usually recommend an image size between 600 and 800 pixels on the long edge. This gives enough detail to be appreciated on screen but will print a slightly pixelated 4x6 standard photo.

Keep in mind that if you upload your image at the native size (straight from you camera) most galleries will down-size the display size but may keep the original image size as is. So while on screen it may appear to be a small image, the downloaded size may be of higher quality suitable for printing at better resolutions. Always process your images before uploading to the web and make sure you scale your images accordingly.

While scaling down does not prevent someone from lifting your images for their own use it does offer a small level of deterrence. I suggest you further protect yourself by embedding your copyright information in the metadata of your files (see your camera manual or image editing software manual on how to accomplish this). For a more visual deterrent you can also watermark your images with your name as in the example at left.

Not only is this a deterrent for theft, it also associates your name with the image for potential clients. You never know who might be looking at your images.

To determine the final output size, in inches, of an image simply divide your image size in pixels by the dpi of the printer;
( px / dpi = x" )

Comments

Most Popular Posts

Large DIY Diffusion Scrim

One of the most commonly used tools in my photographic arsenal is the all purpose diffusion screen . I use it to soften light, create gradients and light fields or as a background. One of my current favorites is a metal framed 4' x 4' foot scrim with thick white artificial silk made by Matthews. I didn't think I would use it so much, being so large, but having borrowed it from a friend I really came to love it. The downside for me is the price. At just over $100 I couldn't really justify the cost, considering I want at least two of them. Time for a DIY alternative.

Don Julio - Hero Shot

For starters, a hero shot is one in which the product is showcased in all its splendor. Careful attention is placed on making the product look its very best. For this shot of Don Julio I knew I wanted to give the bottle some majesty by photographing it from a low angle. That low angle makes the bottle look tall, towering over the viewer and creating a position of dominance. Can't you hear the choir of angels singing in the background? I also knew that I wanted a rich, moody image with lots of darks. I am partial to darker images, which is surprising to most people because the majority of the work I do are images on white backgrounds. But that's another story. I also tried a lifestyle type shot with glasses and lime slices but I wasn't feeling it and ended up scrapping it. Again, that's another story.

Observations on composition - Pieter Bruegel

In this article I am reprinting a critique I published on photoMENTORIS.com regarding the painting entitled ' Census at Bethlehem ' by famed painter Pieter Bruegel , who was born in what is now the Netherlands in the 1520s. The first point I would like to say is that you first need to consider both the medium and the time frame of this painting. Being a painting, the artist has a certain advantage of being able to carefully direct the large amount of content presented to the viewer, unlike, say, a photo of opportunity of the street photographer (I strongly believe Pieter would have been the 'street photographer' of his time). Even a studio photographer, with the luxury of space and time, would have a hard time justifying creating such a complex composition. Where you would see this type of visual composition today would be in modern cinema. In particular, period pieces that rely on background elements to "sell the era" .  Secondly, the era in which thi

Who Cares About Your Business

October marks the beginning of the holiday season with Halloween at the end of the month. Seasonal items are being shuffled around and soon Thanksgiving, Christmas and Hanukkah will be upon us. Personally, I have been busy preparing for the cold weather and analyzing how to move forward into the new year. This got me thinking about many things; rescaling my marketing, updating my prices, expanding my services… you know, all the regular business stuff. It also got me thinking about my customers... actually, the customers I don’t have. What can I do to help them find me? Then it hit me, if they did find me, why would they care?  This month’s newsletter is about ways of connecting to customers in today’s age of information.