Skip to main content

5 Flower Photography Points to Be Aware Of


Spring is here and with it come the opportunities to photograph the countless flowers all around us. Whether they are in our own garden, a public park or growing wild on the side of the road, we as photographers tend to be drawn to them. If not for their beauty then for nothing other than they are willing subjects for us, content to look up at us and smile for the camera.

In preparation for this Spring's meet ups I have prepared a few broad points to get you thinking about how to approach your next flower session. I will be posting a few more articles on the subject in the next week or so.

  1. Be aware of your subject: While this seems obvious we often tend to rush in to capture a flower then move on. We seldom take the time to really see the qualities of the flower. Not all flowers have the same requirements. Some are stately and can hold their own by themselves. Others are better in groups. Some are quiet and contemplative while others tend to be fun and playful. Some look best down low and on their level while other require you to hover over them to appreciate them from above. Some are show offs and prefer to be isolated while yet others prefer to be surrounded by greenery.
  2. Be aware of their background: Whether you are shooting flowers in their natural environment or in a garden center, you have to be aware of what is behind the subject. Flowers really stand out when there is some type of separation from background. This is where shallow depth of field really excels but you have to learn to see past your subject. Think in terms of shades and values; use color values against each other so that the subject and background complement one another. Shoot a light flower against a dark background, and vice-verse and use colors for effect such as warm colors against cool colors, etc.
  3. Be aware of your light: Most often you will be shooting in natural light. Select a time of day that best shows off your flowers. Early morning or late evening light works best. Otherwise find some nice open shade with soft diffused light. If you can't find it naturally, make it. Bring a shoot through umbrella or light diffuser to get rid of harsh shadows. Not getting the light you want? Then you may want to consider making your own. Use small strobe flashes to control your light better.
  4. Be aware of your environment: This does not mean just your location. Being aware of the environment also includes weather, pedestrian traffic, safety issues, privacy laws, and so on. If you are on a public pathway have courtesy to pedestrians. Others have the same right to appreciate nature that you do. If the weather is less than adequate be prepared with something to protect yourself from it. Sunblock, wind blockers, umbrellas, and even tents are all tools that can be employed. Dress comfortably, bring water to keep hydrated and bring items that will make your job easier; a blanket, towel or kneeling pad are useful knee savers A small chair or stool works too. Don't forget safety. If the flowers are on private property get permission first. If you're on the side of the road make sure you are out of the way of danger. In simple terms; use common sense.
  5. Be aware of your equipment: If you are a minimalist then all you may have is just your camera and a small bag. However, more than likely you will also have a tripod and a few helpful tools. Keep track of all your stuff. In a busy pedestrian area it is easy for someone to walk off with your equipment if you are not careful. Aside from loss of equipment there is also the safety issue of someone tripping over the leg of a tripod or a carelessly placed gadget bag. If you go all out then there is the added aspect of having to safely transport all your gear. Consider bringing an assistant for those occasion where you have more than you can carry. If nothing else, it's a second set of eyes.
These are broad points but important ones to keep in mind. As you gain experience many of these tips will come naturally and you won't have to think about them as much. With practice these things will become second nature and you will have your own way of working. Until then I hope these points spark some ideas and get you thinking. Now let's find some flowers to shoot.

Comments

Most Popular Posts

Upgrade Merry-go-round

Canon's release of their entry level full framed camera, the 6D, was a heralded event that received its fair share of anticipation, trepidation and arguments. I for one was looking forward to its arrival as I was in the market for a FF sensor but couldn't justify the cost of a 5D or 1D. Plus the fact that they have more features than I really need. When it came out I was one of the early buyers down at Milford Photo and before long I was unwrapping my new toy. Not soon after I discovered one of the hidden pitfalls of buying new gear; compatibility. In particular it was the compatibility with Adobe's Lightroom 3 which did not support the new 6D. " No problem, " I thought, " I'll just upgrade to LR4. " After all, the newest offering from Adobe promised some nice features I would appreciate. And this is where I got on the merry-go-round.

The Decisive Moment - a brief discussion

Behind the Gare Saint-Lazare, 1932 “Making a photograph means recognising, all at once and in a fraction of a second, an event and the exact organisation of the visually perceived forms that express and signify that event. It means aligning the head, the eye and the heart along the same line of sight. It’s a way of living.” Henri Cartier-Bresson Henri Cartier-Bresson (1908-2004) is credited for the expression, the decisive moment . The image at right, Behind the Gare Saint-Lazare , has become one of the most iconic of his images to represent that expression because it succinctly captures, in a single frame, the whole of his teachings. While there have been many discussions both casual and scholarly, like the image at right, his teachings has been oversimplified and distilled down to a short definition that, to me, has lost a lot of its original meaning or, as in some cases, completely missing the mark. Rather than getting into a lengthy dissertation on what Bresson consider...

Large DIY Diffusion Scrim

One of the most commonly used tools in my photographic arsenal is the all purpose diffusion screen . I use it to soften light, create gradients and light fields or as a background. One of my current favorites is a metal framed 4' x 4' foot scrim with thick white artificial silk made by Matthews. I didn't think I would use it so much, being so large, but having borrowed it from a friend I really came to love it. The downside for me is the price. At just over $100 I couldn't really justify the cost, considering I want at least two of them. Time for a DIY alternative.

Must have non-DIY photo equipment

When building up a collection of equipment for either a professional studio or a serious hobby studio, price is always a consideration. I am a big proponent to DIY equipment, specially if it can be crafted in a way that doesn't look home made. However, some things just can't be home made that a well stocked studio can't do without. Here is a small list of some of those little things you will always find yourself reaching for when doing studio work. Keep in mind that this is by no means an exhaustive list and there are some useable items I'll surely have forgotten to include. Feel free to add to the list in the comments section below.