Skip to main content

Breaking the rules?


Talk to an expert (fill in occupation) to explain an aspect of their work and they'll tell you how easy such-and-such is. Most jobs become so routine after you have been doing them for a while that you forget how difficult it was when you first started out.

For example, a friend of mine, who is also into four wheeling like I am, is a mechanic. He has been turning wrenches for so long I swear he teethed on them as an infant. When we talk about Jeep modifications he rambles on explaining how you can do this or you can do that while the whole time I'm nodding my head in polite agreement. My understanding of engines and suspension systems is basic at most so I can follow some of what he is saying, but if I had to do anything he describes on my own--let's just say it would be a series of very expensive experiments.

The reason I mention this is because learning photography is much like learning to modify a Jeep. You have to know the fundamentals before you can advance to the bigger stuff. That is why I shake my head whenever I read a photographer's blog or watch a YouTube tutorial and the presenter comes out with. "you can do this, or you can do that, there are no real rules here." Another one I shake my head at is, "If you want to stand out from the rest you have to break the rules."

Really? No rules? Break the rules? I can rattle off half a dozen rules they have applied to their "no rules" image they showcase. When you think about it, every time they break a rule they are actually applying another rule. But, to steal a line form Disney's Pirates of the Caribbean, "They aren't so much as rules, per se. More like guidelines."
Fundamental rules serve a purpose, to give you an understanding of the basic laws governing photography. While some of these instructors promote ignoring or breaking rules you have to know that there are some rules that are unbreakable. For example; film or sensor exposure to light is quantitative. Not enough light hits the sensor and you don't get a decent exposure. Too much light and you've blown out the image. Can't really break that one but you need to understand it to be able to manipulate it to your own needs. Choosing to overexpose or underexpose an image is not breaking any rules, it is making a conscious decision about the creation of an image. That or just a rookie error that becomes a learning experience. Either way it is one that gets refined as you advance with experience.

Another instructional video had the photographer talking about "breaking the rule of thirds". Technically the rule of thirds is not a rule but a guideline to help beginning students understand the effects of composition. Advanced photographers are not breaking any rules here, they've just advanced and refined their compositional style beyond those of a beginner. They have mastered the nuances and subtleties to capture a moment with such finesse that the viewer does not have to guess what the image is all about. They are still using compositional rules, just not that particular one. It's like saying a driver that turns left at a green light is breaking the "right turn on red" rule.

I hope this article makes you see things a little differently when you watch videos or read blogs. So now when you pick up your camera I want you to remember; there are no rules so go out there and break them!

Comments

  1. There are "rules" and there are "laws", rules can be broken and it can be fun to try and break the laws.

    ReplyDelete

Post a Comment

Post a comment only if it adds to the topic being discussed. Spam, hate or derogatory comments will not be allowed.

Most Popular Posts

Upgrade Merry-go-round

Canon's release of their entry level full framed camera, the 6D, was a heralded event that received its fair share of anticipation, trepidation and arguments. I for one was looking forward to its arrival as I was in the market for a FF sensor but couldn't justify the cost of a 5D or 1D. Plus the fact that they have more features than I really need. When it came out I was one of the early buyers down at Milford Photo and before long I was unwrapping my new toy. Not soon after I discovered one of the hidden pitfalls of buying new gear; compatibility. In particular it was the compatibility with Adobe's Lightroom 3 which did not support the new 6D. " No problem, " I thought, " I'll just upgrade to LR4. " After all, the newest offering from Adobe promised some nice features I would appreciate. And this is where I got on the merry-go-round.

The Decisive Moment - a brief discussion

Behind the Gare Saint-Lazare, 1932 “Making a photograph means recognising, all at once and in a fraction of a second, an event and the exact organisation of the visually perceived forms that express and signify that event. It means aligning the head, the eye and the heart along the same line of sight. It’s a way of living.” Henri Cartier-Bresson Henri Cartier-Bresson (1908-2004) is credited for the expression, the decisive moment . The image at right, Behind the Gare Saint-Lazare , has become one of the most iconic of his images to represent that expression because it succinctly captures, in a single frame, the whole of his teachings. While there have been many discussions both casual and scholarly, like the image at right, his teachings has been oversimplified and distilled down to a short definition that, to me, has lost a lot of its original meaning or, as in some cases, completely missing the mark. Rather than getting into a lengthy dissertation on what Bresson consider...

Must have non-DIY photo equipment

When building up a collection of equipment for either a professional studio or a serious hobby studio, price is always a consideration. I am a big proponent to DIY equipment, specially if it can be crafted in a way that doesn't look home made. However, some things just can't be home made that a well stocked studio can't do without. Here is a small list of some of those little things you will always find yourself reaching for when doing studio work. Keep in mind that this is by no means an exhaustive list and there are some useable items I'll surely have forgotten to include. Feel free to add to the list in the comments section below.

Large DIY Diffusion Scrim

One of the most commonly used tools in my photographic arsenal is the all purpose diffusion screen . I use it to soften light, create gradients and light fields or as a background. One of my current favorites is a metal framed 4' x 4' foot scrim with thick white artificial silk made by Matthews. I didn't think I would use it so much, being so large, but having borrowed it from a friend I really came to love it. The downside for me is the price. At just over $100 I couldn't really justify the cost, considering I want at least two of them. Time for a DIY alternative.