Skip to main content

Ask the Pro Q&A - John Ross on Photo Retouching


In the past I have mentioned that in order to go from a snap shooter to a good photographer you have to edit your images with some kind of photo editor. While some may argue if you work at getting it right in the camera you won't need to 'photo shop'* the image. I disagree. All images will benefit from some type of correcting whether it is to increase saturation on an otherwise dull image or boost up the black levels to make an image pop. Making these corrections elevates an image from a snapshot to a photo. (Well, not the only thing...)

If you want to go from a mediocre photographer to a good photographer you will take your editing to the next level. That means spending a little more time with the software to tweak the image to a level that regular camera users don't bother with. While it is time consuming--specially if you are not fluent with the editors--the results are worth it and if you are aspiring to go pro it is a necessity.

But, if you are looking to really stand above the rest you need to seek out professional image retouching services.

John Ross is a local professional photo retoucher with years of experience and an impressive list of clients. This past weekend he was kind enough to sit with a small group of our members to discuss the art of retouching and its benefits to working photographers.

The evening started off with John pointing out a variety of photoshop errors he discovered in print ads in magazines. Some were very noticeable while other were subtle, giving us a hint to his keen eye for image flaws. Along the way he gave us tips on how to correct these flaws turning it into an impromptu retouching class.

Because we were a small group John asked the members to provide him with one or two images for critique. It was nice to see the process one would use to start working on editing an image. Specially if you don't have experience with photo retouching. Not only did he explain what he would do, he also talked about some of the tools to do it with. Again, this was a great learning session.

The final part of the evening was a walk through of actual client images John has worked on in the past. He showed us, layer by layer, how to take an image right out of the camera and, through the magic of photo manipulation, turn it into a work of art. It was amazing seeing the development and ultimate transformation of these images.

About John Ross

John owns and operates The Art of Retouching Studio, a full service photo retouching and pre-press design service. Aside from his photo editing services, John also teaches photo editing, studio workflow techniques as well as Adobe Photo Shop classes. Classes are offered periodically throughout the year both as hands-on classroom sessions and through remote learning sessions.

You can contact John through any of the links provided below.

If you want to take your images to the next level you have to have the tools to do so. John Ross and his Art of Retouching Studio will help you attain that next level.

NOTE: While I use the term photo shop throughout this article it by no means refers to the popular photo editing software by Adobe. It is simply the popularized vernacular used to describe the act of digital photo manipulation regardless of what software is used.

Comments

Most Popular Posts

Large DIY Diffusion Scrim

One of the most commonly used tools in my photographic arsenal is the all purpose diffusion screen . I use it to soften light, create gradients and light fields or as a background. One of my current favorites is a metal framed 4' x 4' foot scrim with thick white artificial silk made by Matthews. I didn't think I would use it so much, being so large, but having borrowed it from a friend I really came to love it. The downside for me is the price. At just over $100 I couldn't really justify the cost, considering I want at least two of them. Time for a DIY alternative.

Don Julio - Hero Shot

For starters, a hero shot is one in which the product is showcased in all its splendor. Careful attention is placed on making the product look its very best. For this shot of Don Julio I knew I wanted to give the bottle some majesty by photographing it from a low angle. That low angle makes the bottle look tall, towering over the viewer and creating a position of dominance. Can't you hear the choir of angels singing in the background? I also knew that I wanted a rich, moody image with lots of darks. I am partial to darker images, which is surprising to most people because the majority of the work I do are images on white backgrounds. But that's another story. I also tried a lifestyle type shot with glasses and lime slices but I wasn't feeling it and ended up scrapping it. Again, that's another story.

Observations on composition - Pieter Bruegel

In this article I am reprinting a critique I published on photoMENTORIS.com regarding the painting entitled ' Census at Bethlehem ' by famed painter Pieter Bruegel , who was born in what is now the Netherlands in the 1520s. The first point I would like to say is that you first need to consider both the medium and the time frame of this painting. Being a painting, the artist has a certain advantage of being able to carefully direct the large amount of content presented to the viewer, unlike, say, a photo of opportunity of the street photographer (I strongly believe Pieter would have been the 'street photographer' of his time). Even a studio photographer, with the luxury of space and time, would have a hard time justifying creating such a complex composition. Where you would see this type of visual composition today would be in modern cinema. In particular, period pieces that rely on background elements to "sell the era" .  Secondly, the era in which thi

Who Cares About Your Business

October marks the beginning of the holiday season with Halloween at the end of the month. Seasonal items are being shuffled around and soon Thanksgiving, Christmas and Hanukkah will be upon us. Personally, I have been busy preparing for the cold weather and analyzing how to move forward into the new year. This got me thinking about many things; rescaling my marketing, updating my prices, expanding my services… you know, all the regular business stuff. It also got me thinking about my customers... actually, the customers I don’t have. What can I do to help them find me? Then it hit me, if they did find me, why would they care?  This month’s newsletter is about ways of connecting to customers in today’s age of information.