Skip to main content

What do you mean, "my journey is not your journey?"


An interesting conversation came up with a member regarding the RAW versus JPEG article and a photographer's choice to shoot in one or the other format. To paraphrase the comment, "I really gave up on trying to 'convert' the JPEG shooters a long time ago. If someone shoots in JPEG and they are happy with their results, good for them, who are we to tell them any different. Lots of people create beautiful photo's using JPEG."

He further states that, "some photographers do use the images straight out of the camera and if they have a better eye than I do, their photographs will have much more interest in them than one of my perfectly post processed raw shots with a lousy composition."

I agree with his comments. I just point out the benefits of shooting in one format over the other. If your goal is to be a casual shooter, JPEG quality may be right for you. If your goal is to be a pro you need to step your game up and that means understanding the ins and outs of shooting in either format and then using them accordingly. However, I don't think the true point of his argument is whether one needs to shoot in RAW or JPEG. It was just a polite way of saying that not everyone cares to shoot in RAW or JPEG. To some the argument is insignificant and this is the point I sometimes fail to remember.

My personal goal is to eventually be a pro shooter. For me that means that I want to be making the majority of my income on the work I do as a photographer. That is what I strive to do when I take workshops, teach workshops, attend events or share my knowledge in these articles. What I fail to remember, as I mentioned above, is that not everyone around me with a camera shares that goal. I tend to forget this point with some of the articles I write.

The meetup.com community is a great place to find social groups where members share a common interest. In my local area there are several really great photography groups who are actively gathering together for photo related events. Not everyone there has a desire to be a professional photographer but they all have the desire to learn more about the process. How much more is a personal decision each member makes for themselves but as an event leader and as the owner of this blog I feel I have an obligation to help our members progress in their learning. I, therefore, teach what I know and share what I think others may want. What I should also do is watch my language so as not to come across as, "this is what you have to do."

I need to remember that not everyone is on the same journey I am on.

Another issue that came up was that there is no way to post comments on this site in order to continue the conversation. I had originally turned it off because of the number of spam comments I had to filter through. I will see about reopening the comments section.

Comments

  1. Nice article, Duck. If I may, could I add a third category of shooter? If you want to shoot somewhat casually today but revisit your images for more artistic reasons down the road, it would pay to shoot in RAW even if you don't do anything with it today. Shooting in JPEG locks the data in and RAW, plus the wealth of tools we have for processing RAW images today and in the future, will give you the flexibility to revisit older images and be newly creative.

    ReplyDelete

Post a Comment

Post a comment only if it adds to the topic being discussed. Spam, hate or derogatory comments will not be allowed.

Most Popular Posts

Large DIY Diffusion Scrim

One of the most commonly used tools in my photographic arsenal is the all purpose diffusion screen . I use it to soften light, create gradients and light fields or as a background. One of my current favorites is a metal framed 4' x 4' foot scrim with thick white artificial silk made by Matthews. I didn't think I would use it so much, being so large, but having borrowed it from a friend I really came to love it. The downside for me is the price. At just over $100 I couldn't really justify the cost, considering I want at least two of them. Time for a DIY alternative.

Upgrade Merry-go-round

Canon's release of their entry level full framed camera, the 6D, was a heralded event that received its fair share of anticipation, trepidation and arguments. I for one was looking forward to its arrival as I was in the market for a FF sensor but couldn't justify the cost of a 5D or 1D. Plus the fact that they have more features than I really need. When it came out I was one of the early buyers down at Milford Photo and before long I was unwrapping my new toy. Not soon after I discovered one of the hidden pitfalls of buying new gear; compatibility. In particular it was the compatibility with Adobe's Lightroom 3 which did not support the new 6D. " No problem, " I thought, " I'll just upgrade to LR4. " After all, the newest offering from Adobe promised some nice features I would appreciate. And this is where I got on the merry-go-round.

Must have non-DIY photo equipment

When building up a collection of equipment for either a professional studio or a serious hobby studio, price is always a consideration. I am a big proponent to DIY equipment, specially if it can be crafted in a way that doesn't look home made. However, some things just can't be home made that a well stocked studio can't do without. Here is a small list of some of those little things you will always find yourself reaching for when doing studio work. Keep in mind that this is by no means an exhaustive list and there are some useable items I'll surely have forgotten to include. Feel free to add to the list in the comments section below.

The Decisive Moment - a brief discussion

Behind the Gare Saint-Lazare, 1932 “Making a photograph means recognising, all at once and in a fraction of a second, an event and the exact organisation of the visually perceived forms that express and signify that event. It means aligning the head, the eye and the heart along the same line of sight. It’s a way of living.” Henri Cartier-Bresson Henri Cartier-Bresson (1908-2004) is credited for the expression, the decisive moment . The image at right, Behind the Gare Saint-Lazare , has become one of the most iconic of his images to represent that expression because it succinctly captures, in a single frame, the whole of his teachings. While there have been many discussions both casual and scholarly, like the image at right, his teachings has been oversimplified and distilled down to a short definition that, to me, has lost a lot of its original meaning or, as in some cases, completely missing the mark. Rather than getting into a lengthy dissertation on what Bresson consider