Skip to main content

Reflection vs Refraction

As your photographic skills improve and you start venturing more into light modifiers there are two terms you should understand; reflection and refraction.

Reflection refers to a change in direction of light when they bounce off a substrate. Refraction is the change in the direction of light as it passes through a substrate.

So why should you know these terms? If you work with light modifiers, having an understanding of how they work will help you understand what kind of results you can expect from them. All modifiers used in photography fall under one of these two categories.

In physical space, a light wave will travel in a straight path, from the source of illumination, until one of two things happen. An object in the light path either absorbs it or the object deflects it. Typically all object tend to do both. As light encounters an object, some of the light's color spectrum gets absorbed and the rest gets deflected. What gets deflected is what allows us to see color. How an object deflects light is dependant on the physical structure, or surface makeup, of the object.

Dean Collins, a well respected photographer and teacher, used the term efficiency to describe how effectively a particular object's surface deflects light. Something hard and shiny will have a high efficiency, meaning it will reflect more of the light while something soft and rough will have a low efficiency, meaning it will diffuse more of the light.

Reflection occurs when a light wave encounters a solid object that causes light waves to change it's direction. The best example of this is a mirror. If you have ever aimed a flashlight into a mirror you have experienced this effect. The light beam hits the mirror and bounces off at an angle to strike the wall or ceiling elsewhere in the room. That is reflection and it follows a hard and fast rule, "the angle of reflectance is equal but opposite the angle of incidence."*

* Read the article, "Understanding Angle of Incidence" for more information.

Some examples of light modifiers that rely on the principle of reflection are the appropriately named 5in1 light reflector with its silver, gold and white reflective fabrics. These fabrics have varying degrees of surface efficiency and will reflect different amounts of light.

Bounce umbrellas also have similar silver, gold or white reflective surfaces. Bounce cards, used in many product shots, are nothing more than silver, gold or white pieces of card that reflect light as needed. Beauty dishes have several reflective surfaces. An internal mirror with high efficiency and a white reflective bowl with low efficiency.

Refraction happens when the object struck by light waves have a certain amount of transparency or translucency. In this case light is not reflected in the opposite angle but allowed to pass through the object. Depending on the material structure, light doesn't travel through in a straight line but rather bends as it passes through. This bending is called refraction.

Efficiency of the object surface plays a role in how effectively light passes through. A clear object, like glass or plastic, will allow a lot of light to pass through whereas something colored or frosted will allow less light to pass. Material density also has an effect on the light particles passing through it.

Diffusion fabrics used in such modifiers as shoot through umbrellas and softboxes are prime examples of substrates that cause refraction. If you look at the plastic lens on your camera's strobe you will see a variation of the surface texture. This is called a fresnel lens and it uses the principle of refraction to effectively spread light out. Water glass, frosted sheeting and the textured plastic panel over the ceiling fluorescent light are all examples of material that refract light.

Some material, like water glass, create unusual patterns on a wall when light passes through it and can be used to create interest in an image. For a simple experiment of this take a flashlight and shine it through a cut crystal glass and watch the patterns play across the surface of the wall. You will see the effect of refraction at work.

Hope you learned something new with this. Share your thoughts and observations in the comments section.

Comments

Most Popular Posts

Large DIY Diffusion Scrim

One of the most commonly used tools in my photographic arsenal is the all purpose diffusion screen . I use it to soften light, create gradients and light fields or as a background. One of my current favorites is a metal framed 4' x 4' foot scrim with thick white artificial silk made by Matthews. I didn't think I would use it so much, being so large, but having borrowed it from a friend I really came to love it. The downside for me is the price. At just over $100 I couldn't really justify the cost, considering I want at least two of them. Time for a DIY alternative.

Upgrade Merry-go-round

Canon's release of their entry level full framed camera, the 6D, was a heralded event that received its fair share of anticipation, trepidation and arguments. I for one was looking forward to its arrival as I was in the market for a FF sensor but couldn't justify the cost of a 5D or 1D. Plus the fact that they have more features than I really need. When it came out I was one of the early buyers down at Milford Photo and before long I was unwrapping my new toy. Not soon after I discovered one of the hidden pitfalls of buying new gear; compatibility. In particular it was the compatibility with Adobe's Lightroom 3 which did not support the new 6D. " No problem, " I thought, " I'll just upgrade to LR4. " After all, the newest offering from Adobe promised some nice features I would appreciate. And this is where I got on the merry-go-round.

Must have non-DIY photo equipment

When building up a collection of equipment for either a professional studio or a serious hobby studio, price is always a consideration. I am a big proponent to DIY equipment, specially if it can be crafted in a way that doesn't look home made. However, some things just can't be home made that a well stocked studio can't do without. Here is a small list of some of those little things you will always find yourself reaching for when doing studio work. Keep in mind that this is by no means an exhaustive list and there are some useable items I'll surely have forgotten to include. Feel free to add to the list in the comments section below.

The Decisive Moment - a brief discussion

Behind the Gare Saint-Lazare, 1932 “Making a photograph means recognising, all at once and in a fraction of a second, an event and the exact organisation of the visually perceived forms that express and signify that event. It means aligning the head, the eye and the heart along the same line of sight. It’s a way of living.” Henri Cartier-Bresson Henri Cartier-Bresson (1908-2004) is credited for the expression, the decisive moment . The image at right, Behind the Gare Saint-Lazare , has become one of the most iconic of his images to represent that expression because it succinctly captures, in a single frame, the whole of his teachings. While there have been many discussions both casual and scholarly, like the image at right, his teachings has been oversimplified and distilled down to a short definition that, to me, has lost a lot of its original meaning or, as in some cases, completely missing the mark. Rather than getting into a lengthy dissertation on what Bresson consider