Skip to main content

The little rubber band that could


"It's the little things that matter the most."

It's amazing how true this saying really is.

I attended a street shoot meet up this past week end in New York hosted by native New Yorker, and fellow street shooter, Steve Hill. He had limited the event to ten people and we were waiting on a couple more to show up. In the interim, Steve was going over some finer points of exposure to a couple of beginners in the group.

One young lady there was having problems getting her camera to shoot above a shutter speed of 1/500th of a second. After some discussion and subsequent head shaking we could not really figure out why it didn't want to shoot faster than 1/500. It just made no logical sense as there was no obvious reason that we could see that would prevent any dSLR from being able to go past 1/500. I shoot Canon while she had a Nikon and I was about to chalk it up to my lack of knowledge of the Nikon system when I noticed her pop up flash was up. Ding!

The light bulb went on over my head and I pointed out that some camera systems will not allow faster shutters when the flash is up (quoting sync speeds, etc.), to which she responded that her flash had recently been damaged and would not remain closed. Steve suggested holding it down with her finger while she tested that theory. Voila, it worked!

While the temporary fix worked, it would make for a very tedious day of shooting if you had to keep your finger on the flash all day long. Time for a more permanent solution, tape. Gaffer's tape to be exact. Every photographer's ally in keeping a shoot on track, but, alas, there was none to be had by anyone in the group. We had all packed light for a day of street shooting. We were also on the sidewalk outside Battery Park in Lower Manhattan with nothing around us but tour buses and a couple of street vendors (who didn't have tape). Fortunately for our girl I came upon a lone, worn and forgotten rubber band sitting beside a cardboard box at one of the vendor's table. I quickly snatched it up and triumphantly presented it to the owner of the broken flash.

Suffice it to say that it worked and it made it through the rest of the shoot, keeping that busted flash down and returning normal operation to the camera. Which goes to show, no matter how expensive or technically advanced a product is, any little problem can cause a shoot to come to a halt. However, when something goes wrong it's that lowly 1/2 cent discarded rubber band that can save the day.

Now I just have to remember to always carry a bit of gaffer's tape with me wherever I go.

Comments

Most Popular Posts

Upgrade Merry-go-round

Canon's release of their entry level full framed camera, the 6D, was a heralded event that received its fair share of anticipation, trepidation and arguments. I for one was looking forward to its arrival as I was in the market for a FF sensor but couldn't justify the cost of a 5D or 1D. Plus the fact that they have more features than I really need. When it came out I was one of the early buyers down at Milford Photo and before long I was unwrapping my new toy. Not soon after I discovered one of the hidden pitfalls of buying new gear; compatibility. In particular it was the compatibility with Adobe's Lightroom 3 which did not support the new 6D. " No problem, " I thought, " I'll just upgrade to LR4. " After all, the newest offering from Adobe promised some nice features I would appreciate. And this is where I got on the merry-go-round.

The Decisive Moment - a brief discussion

Behind the Gare Saint-Lazare, 1932 “Making a photograph means recognising, all at once and in a fraction of a second, an event and the exact organisation of the visually perceived forms that express and signify that event. It means aligning the head, the eye and the heart along the same line of sight. It’s a way of living.” Henri Cartier-Bresson Henri Cartier-Bresson (1908-2004) is credited for the expression, the decisive moment . The image at right, Behind the Gare Saint-Lazare , has become one of the most iconic of his images to represent that expression because it succinctly captures, in a single frame, the whole of his teachings. While there have been many discussions both casual and scholarly, like the image at right, his teachings has been oversimplified and distilled down to a short definition that, to me, has lost a lot of its original meaning or, as in some cases, completely missing the mark. Rather than getting into a lengthy dissertation on what Bresson consider...

Large DIY Diffusion Scrim

One of the most commonly used tools in my photographic arsenal is the all purpose diffusion screen . I use it to soften light, create gradients and light fields or as a background. One of my current favorites is a metal framed 4' x 4' foot scrim with thick white artificial silk made by Matthews. I didn't think I would use it so much, being so large, but having borrowed it from a friend I really came to love it. The downside for me is the price. At just over $100 I couldn't really justify the cost, considering I want at least two of them. Time for a DIY alternative.

Must have non-DIY photo equipment

When building up a collection of equipment for either a professional studio or a serious hobby studio, price is always a consideration. I am a big proponent to DIY equipment, specially if it can be crafted in a way that doesn't look home made. However, some things just can't be home made that a well stocked studio can't do without. Here is a small list of some of those little things you will always find yourself reaching for when doing studio work. Keep in mind that this is by no means an exhaustive list and there are some useable items I'll surely have forgotten to include. Feel free to add to the list in the comments section below.