Skip to main content

Multiplicity Self Portrait, pt. 2


Now that we have our multiple photos from part one of this tutorial it's time to put it together. If you did everything right in the first part then each image should line up with each other.

Most major photo editing software can be used to accomplish this effect. Just make sure you can work in layers. If you are a beginner it is often easier to do all the image composing first and then do a final enhancement after.

If you are more advanced and/or are working in RAW do all image enhancement first. Just make sure you apply the same enhancement to all the images in the series. This will ensure your final composition has a unified look.

Method One - Cut and Paste

Use your selection tool and cut the subject from photo A and paste it onto photo B. It will paste into its own separate layer. Unless you are concerned with overlap you don't have to be too careful with the clipping.

Carefully position the cut selection so that it lines up with the background of photo B. Use the nudge arrows on your keyboard to fine tune the position. Look at the edges of the clipping to see how well they match.

When the two parts line up simply compress the two layers and you now have a finished multiplicity photo. If parts of the pasted image hides something you want showing simply carefully erase the unwanted part before compressing the layers.

Method Two - Erase Layer

Import photo B onto a layer over photo A. If the camera was set on a tripod the two images should line up.

Give the top layer a 50% transparency. This will allow you to see the underlying layer. Use the shift arrows to nudge the top layer until it lines up with the bottom layer.

With the eraser tool, erase areas of the top layer to reveal the subject from the bottom layer. Use undo if you make any mistakes.

Once you are happy with the way it looks return the top layer to 100% opacity and compress the two layers. You now have a completed multiplicity photo.

Method Three - Layer Mask

This is the preferred method. Place photo B onto a layer over photo A like in method two.

Add a layer mask to the top layer. Layer masks allow you to do limited manipulation to an image without doing damage to the image. Depending on type of mask it will either hide or show the working layer. You will want to select show. * The black layer mask shown is for illustration purposes only. You will be working on a white layer mask.

Like in method two, give the top layer a 50% transparency allowing you to see the underlying layer. Use the shift arrows to nudge the top layer until it lines up with the bottom layer.

Use your brush tool to paint on the mask layer not the image. Black is used to reveal the subject from the bottom layer. Paint in the area over the subject you want showing through. If you make a mistake simply switch to white and repair the mistake. You can paint along edges and in tight areas without fear of destroying the original image.

If you are happy with the results bring the top layer back to 100% opacity, compress the image as in the previous methods and you’re done. You now have a completed multiplicity photo.

Comments

Most Popular Posts

Large DIY Diffusion Scrim

One of the most commonly used tools in my photographic arsenal is the all purpose diffusion screen . I use it to soften light, create gradients and light fields or as a background. One of my current favorites is a metal framed 4' x 4' foot scrim with thick white artificial silk made by Matthews. I didn't think I would use it so much, being so large, but having borrowed it from a friend I really came to love it. The downside for me is the price. At just over $100 I couldn't really justify the cost, considering I want at least two of them. Time for a DIY alternative.

Don Julio - Hero Shot

For starters, a hero shot is one in which the product is showcased in all its splendor. Careful attention is placed on making the product look its very best. For this shot of Don Julio I knew I wanted to give the bottle some majesty by photographing it from a low angle. That low angle makes the bottle look tall, towering over the viewer and creating a position of dominance. Can't you hear the choir of angels singing in the background? I also knew that I wanted a rich, moody image with lots of darks. I am partial to darker images, which is surprising to most people because the majority of the work I do are images on white backgrounds. But that's another story. I also tried a lifestyle type shot with glasses and lime slices but I wasn't feeling it and ended up scrapping it. Again, that's another story.

Observations on composition - Pieter Bruegel

In this article I am reprinting a critique I published on photoMENTORIS.com regarding the painting entitled ' Census at Bethlehem ' by famed painter Pieter Bruegel , who was born in what is now the Netherlands in the 1520s. The first point I would like to say is that you first need to consider both the medium and the time frame of this painting. Being a painting, the artist has a certain advantage of being able to carefully direct the large amount of content presented to the viewer, unlike, say, a photo of opportunity of the street photographer (I strongly believe Pieter would have been the 'street photographer' of his time). Even a studio photographer, with the luxury of space and time, would have a hard time justifying creating such a complex composition. Where you would see this type of visual composition today would be in modern cinema. In particular, period pieces that rely on background elements to "sell the era" .  Secondly, the era in which thi

Who Cares About Your Business

October marks the beginning of the holiday season with Halloween at the end of the month. Seasonal items are being shuffled around and soon Thanksgiving, Christmas and Hanukkah will be upon us. Personally, I have been busy preparing for the cold weather and analyzing how to move forward into the new year. This got me thinking about many things; rescaling my marketing, updating my prices, expanding my services… you know, all the regular business stuff. It also got me thinking about my customers... actually, the customers I don’t have. What can I do to help them find me? Then it hit me, if they did find me, why would they care?  This month’s newsletter is about ways of connecting to customers in today’s age of information.